Christie’s Expands in Saudi Arabia

Christie’s opens a permanent location in Riyadh with Managing Director Nour Kelani.

Christie’s Expands in Saudi Arabia
Mariana Baião Santos

Christie’s (Instagram), the esteemed British auction house, is making waves with a historic expansion into Saudi Arabia. The move grants Christie’s a commercial license to operate directly from Riyadh, establishing it as the first international auction house with a permanent presence in the Kingdom. This bold step emphasizes Saudi Arabia’s emergence as a key player on the global art stage, a shift made possible by the nation’s commitment to cultural growth under Vision 2030. At the helm of this new endeavor is Nour Kelani, a well-respected name in the Middle Eastern art community.

Kelani, appointed as Managing Director for Christie’s Saudi Arabia, brings deep expertise and a strong network, cultivated through years of work at Jeddah’s Ayyam Gallery and as a private consultant. Known for her focus on nurturing emerging collectors, Kelani’s influence has helped propel the “Young Collector’s Auction” into a celebrated event for budding art lovers. Her vision at Christie’s aligns with the Kingdom’s own cultural aspirations, aiming to create a bridge between Saudi collectors and Christie’s global specialists. This will mean a fresh array of exhibitions, private sales, and opportunities to experience high-profile works within Saudi Arabia.

Christie’s
Ahmed Mater (b. 1979), Magnetism (Triptych), 2021.

The timing of Christie’s Riyadh launch is significant. With the cultural transformation of Vision 2030, Saudi Arabia is investing heavily in its arts sector, creating a fertile landscape for modern and contemporary Middle Eastern art. Recent records set by Saudi artists like Ahmed Mater and Abdulnasser Gharem show the local market’s strength, with Christie’s keen to elevate such talent on an international platform.

Christie’s
Abdulnasser Gharem’s ‘Message-Messenger’ is the most expensive piece by a Saudi artist to have been sold by Christie’s to date, fetching $842,500 in 2011.

Christie’s entry into Saudi Arabia signals an evolution for both the local and global art markets. What remains to be seen, however, is how this expansion might impact Saudi Arabia’s cultural landscape. As Riyadh attracts new collectors and amplifies Saudi art voices globally, could the Kingdom soon rival traditional art capitals in influence and prestige?

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