Copenhagen Fashion Week (Instagram) is in full swing, and while the runways are alive with movement and shape, the street style outside tells a different story: one of structure, serenity, and self-regulation. The Danish capital might be first on the fashion month calendar, but its street style is already setting the tone for everything to follow. 
The Copenhagen streets have never been shy, but for the Spring/Summer 2026 shows, they’re louder in silhouette than they are in volume. The utilitarian cool of Stockholm? Check. A twist of oddball whimsy that’s so distinctly Copenhagen? Double check.
Oversized trousers graze the ground beneath voluminous shirting, waistcoats come puffed, cropped, and layered with everything but subtlety. Mid-rise trousers, poplin shirts, square-toed boots, and leather bags you’d either inherit or curate from a little indie boutique, rather than impulse-buy. What you see here isn’t just a preview of spring — it’s a manifesto for how to wear it.
The styling is precise, clean. Sheer socks peek from loafers. Scarves are tied low across the hips, an Alexa Chung-approved move that’s quickly become shorthand for It-Girls. Masculine codes — ties, brogues, shoulder-padded vests — are softened with flashes of tulle, belt-chain sparkle, and the occasional rosette pinned just so. Structured blazers over polka dot silks, balloon trousers weighed down by layers, and pastel shirting styled with cargo capris sharp enough for any boardroom.
The Scandi fashion language this season is playful, but composed — bows, belts, and pops of cherry red appear like winks. Violet is emerging as an early-season hero shade, nudging out butter yellow like a shoulder bump on a crowded fashion show. Even accessories follow suit: metallic clips, beaded charms, and bandanas break up the soft minimalism (and of course, Labubu bag charms).
Footwear follows function without sacrificing form — kitten heels, black Havaianas, and the occasional clog anchor the looks. And while it’s high summer, the layering game doesn’t miss: boxy trenches, linen blazers, and cropped jackets take the edge off Copenhagen’s breeze, without losing the outfit’s rhythm.
Under the embellishments, the foundation remains unmistakably Scandinavian: structured, clean, decisive. If Stockholm is the aesthetic of emotional discipline, Copenhagen is its messier, more colourful cousin mixing plaid and polka dots— playful, but never frivolous. Overall, the Scandi aesthetic isn’t about peacocking. It doesn’t shout “trend” or cling to micro-labels. It’s slicked-back buns, unfussy button-ups, the perfect pair of mid-rise jeans, COS trousers, and Toteme coats.
At first glance, Stockholm Style feels like a palette cleanser. And that’s exactly why it’s hit so hard — especially in a mid-maximalist, post-“mob-wife”, over-exposed, hyper-curated internet landscape where everyone’s trying to out-accessorise each other. The Scandi girl dresses like she’s already seen it all. Like she has somewhere better to be — or nowhere at all, and that’s the point.
Don’t confuse its minimalism for passivity. On TikTok, Scandi creators like Robin of @scandivv, whose cool-girl jewellery is now practically a dress code, are leading the charge. Robin’s influence extends even beyond TikTok’s 540K followers. Her chunky pearls, warped gold jewellery and offbeat silhouettes have become a blueprint—a look that’s been moodboarded, saved, and copied to death. Her accessories brand, in particular, has popped off globally, splashing across Pinterest, gracing style pages, and birthing a wave of imitators from Copenhagen to Cairo.
Scandinavian fashion houses like Acne Studios, Toteme, COS, Filippa K, and Cecilie Bahnsen have crossed borders and moodboards to become international fashion powerhouses. Scandi labels deliver clothes that outlive trends but still speak to the moment. When everyone is burnt-out and experiencing wardrobe fatigue (because who has the time or energy to think of outfits in a global recession?), that kind of reliability feels like luxury.
It’s also the seductive idea of looking hot and unattainable without having to brand yourself as such. Stockholm Style isn’t interested in being liked, it’s about maintaining control. Of silhouette. Of space. Of narrative. Of colour palettes, the way a shirt tucks, and the way a coat falls. It’s about the kind of restraint that feels like intention, especially when everything else in the world feels unstable, from finances and economies, to turbulent politics and algorithmic aesthetics that change by the hour.
The appeal lies in its rejection of spectacle and loud wardrobes. In the fashion landscape, people are tired of caring so much. Of over-explaining their identity with every outfit. Of having to be loud to be seen.
For more fashion from around the world, visit our dedicated archives and through us a follow on Instagram.
