This edition of The Week According to YUNG is packed. From Chanel reimagining the iconic Les 4 Ombres eyeshadows into a jewel-like palette, to Giorgio Armani’s landmark exhibition in Milan, to Chloé’s revival of the Paddington bag, this week offered both nostalgia and reinvention. Add Dubai Watch Week’s tenth anniversary, Dima Ayad’s conscious FW25, and LOEWE’s crafted perfumes, and it’s a snapshot of creativity in motion.
So, let’s jump into The Week According to YUNG.
Chanel reimagines its iconic Les 4 Ombres eyeshadow palette in a limited-edition release, Boutons: Do You Speak Button?, paying tribute to one of the House’s most emblematic symbols. Inspired by the timeless button that has adorned Chanel creations for decades, the collection transforms the palette into a playful yet sophisticated statement piece. Each compact features bold pops of colour designed to wear like a signature, lending the eyes a jewel-like radiance. With shades tailored to different moods, the palettes invite wearers to “press the right button,” whether for a subtle accent or a striking look. More than makeup, the release encapsulates Chanel’s ability to turn everyday motifs into enduring icons, fusing house codes with modern beauty rituals.
To mark fifty years of creativity, Giorgio Armani was honoured with a landmark exhibition at the Pinacoteca di Brera, one of Italy’s most prestigious cultural institutions. Titled Milano, per Amore, the show runs until January 11, 2026, presenting more than 120 archival creations from ARMANI/Archivio in dialogue with masterpieces of Italian art from the Middle Ages to the nineteenth century. The exhibition reflects Armani’s profound connection to Brera, the neighbourhood where he chose to live and work, and underscores his unique role in Milan’s cultural fabric. Known for his reinterpretation of tailoring, mastery of neutral tones, and understated yet richly detailed decoration, Armani’s style is framed as a dialogue between fashion and art history. This is the first time the Pinacoteca has hosted a fashion exhibition, underscoring Armani’s influence not only on aesthetics but also on cultural imagination.
Dima Ayad unveils her Fall–Winter 2025 collection with a focus on vegan leather, redefining outerwear as a conscious yet commanding wardrobe staple. Known for her approach to modern womenswear, Ayad presents a line-up that balances power and ease, translating her vision of fall in Dubai into versatile essentials. The collection spans long trenches, cropped silhouettes, sleeveless cuts, and coordinating pants, offered in a refined palette of black, brown, khaki, and burgundy. Crafted to feel luxe while staying mindful, the pieces embody Ayad’s philosophy of timelessness and wearability. “Our Pre-Fall is Fall,” she notes. “This is the thickest we’d ever get and I wanted to create leather staples that feel timeless and effortless.” The result is a collection that grounds seasonal dressing in conscious design, while giving women outerwear that resonates with strength, adaptability, and understated elegance.
Chloé reintroduces the Paddington, one of its most emblematic handbags, in a campaign set against the cinematic backdrop of Paris. First launched in 2005, the Paddington defined a new era of effortless luxury with its distinctive padlock and lived-in charm. Reimagined for Winter 2025 under Creative Director Chemena Kamali, the updated design retains its signature padlock while evolving with lighter hardware, a new single-zip opening, and an adjusted shoulder drop for greater ease. Crafted from supple, washed vegetable-tanned leather, the bag carries a patina that feels authentic and personal.
Directed on 35mm film by Mati Diop and photographed in black and white by David Sims, the campaign captures fleeting encounters and Parisian light, channelling the spirit of 1970s French cinema. Starring Kendall Jenner, Aimee Lou Wood, and K-pop singer Anna from Meovv, the portraits emphasize individuality and freedom, as the Paddington becomes a companion in women’s stories.
Dubai Watch Week celebrates its 10th anniversary this November with its largest and most ambitious edition to date. Running from 19–23 November 2025, the global horology platform moves to a new venue at Dubai Mall’s Burj Park, spanning over 200,000 sq. ft. and hosting more than 90 international watch brands. Since its inception, the event has evolved into a hub for launches, dialogue, and cultural exchange, and this milestone year cements its role as a meeting point for watchmaking and beyond. The House of Horology will feature over 12 sessions with industry leaders and Rolex CEO Jean-Frédéric Dufour will deliver the opening keynote alongside Abdul Hamied Seddiqi. The inaugural CEO Roundtable will bring together Georges Kern, Ilaria Resta, Karl-Friedrich Scheufele, and Julien Tornare. With over 50 sessions covering craftsmanship, legacy, and innovation, the programme also includes a collaboration between Audemars Piguet and the Dubai Future Foundation on bold innovation in watchmaking.
Oakley launches its Latitude FW25 Collection, the latest evolution of Morphware, inspired by the resilience and adaptability of nature. Drawing from the lift of parachutes and the translucence of jellyfish, the collection blends chaos and calm into performance-ready design. Sculptural silhouettes, layered forms, and wrap-around lines mirror natural movement, while earthy tones highlight a connection to land and sea. At the forefront is the Latitude Soar Parka, engineered with modular adaptability, a visor-shaped hood, waterproof seam taping, and functional details from reflective logos to a rear leash holder. The collection expands across apparel, footwear, and accessories, from base layers and shell pants to rugged Meridian Low Ext Boots and future-forward EON Alpha sneakers. Oakley’s Plantaris eyewear joins in nature-inspired tones, equipped with Switchlock™ lenses and Prizm™ technology for enhanced vision. Functional, versatile, and future-focused, the Latitude FW25 collection launches September 25 on Oakley.com and select Oakley retailers worldwide.
MCM presented The Art of Motion at Casa degli Artisti, drawing from Taekwondo’s philosophy of balance, respect, and flow. Ahead of its 50th anniversary in 2026, the brand explored how discipline and dynamism can translate into contemporary fashion. Dirk Schönberger, Chief Brand Officer, unveiled one-of-a-kind designs where martial artistry meets couture precision: oversized belts reimagined as strapless dresses, a bright blue taekwondo knot forming the structure of a mini dress, and a white jacket stitched entirely from taekwondo belts. Strong shoulders, pleated trousers, and fluid tailoring reflected the balance between restraint and freedom. Materials like cotton, wool, and functional jersey emphasized resilience and performance. The exhibition space transformed into a “design dojo,” complete with an AI hologram developed with Capsa Studio, immersing guests in MCM’s kinetic narrative. Complementing the runway, select leather goods from the Spring/Summer 2026 collection were previewed in an intimate presentation.
Philip Morris International (PMI) has opened the GCC’s first multi-category IQOS Boutique at Dubai Mall, reinforcing the UAE’s role as a strategic hub in the company’s global smoke-free transformation. Designed as an immersive, multisensory retail concept, the boutique moves beyond traditional shopping to create a discovery-led space where legal-age nicotine users can explore PMI’s smoke-free portfolio in a personalized and sustainable way. The opening also unveiled a bespoke artistic collaboration with Kris Balerite, better known as Dozign, whose installation The Thread takes the form of a giant friendship bracelet woven with sadu-inspired patterns. The work is both a tribute to the UAE’s cultural fabric and a symbol of community, openness, and connection. With Dubai chosen for its innovation-driven ecosystem, the launch highlights PMI’s investment in science and design as it continues to offer less harmful alternatives for adult smokers. The boutique is now open, inviting visitors to experience this new chapter in retail transformation.
And that was The Week According to YUNG.
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